Wednesday, September 24, 2014

Have a Bite!

The Butterfly Ball and the Grasshopper's Feast, 1860 ca. 

After a rather long break, the Animalarium is back on his mission 
to feed its viewers with tasty bits of eye candy. 
Take a seat and enjoy the feast! 

The Animal's Ball, 1917

Yuri Vasnetsov, The Magpie, 1938

Hans Fischer, The Traveling Musicians, 1944

Heinrich Strub, Sumse Sumsebrumm, 1946

Elisabeth BrozowskaThe Animal's Party, 1962

Garth Williams, The Turret1963

Karla Kuskin, The Walk the Mouse Girls Took, 1967 

Mai Miturich, Cockerel, 1968

Donald Chaffin, Fantastic Mr. Fox1970

Antoni Boratyński, Nie płacz, Koziołku, 1973 

Zdzisław Witwicki, O Wróbelku Elemelku, 1982 

Mister Gatto, In viaggio con papà

Sunday, March 9, 2014

The Birds & the Flowers

Warm rays of sun, birdsongs and flowers everywhere...
what a wonderful Sunday to hang around in the garden

Carlos Merida, The Bird, 1947, via 50 Watts

 L. Mironov, De naykrasche mіstse sul zemlі?, 1973

John Alcorn 


Saturday, March 1, 2014

Life Studies

This year it seems to me that time is flying faster than usual; March is already here
and I am left wondering where February has gone... Unfortunately, this also means 
that I won't have the time to visit the beautiful exhibition of Felice Tosalli which ends 
next week at the Galleria dell'Incisione in Brescia. One more reason to thank
 the gallery's owner and curator Chiara Padova for sending me the catalogue 
and these pics to enjoy and share with you!

The talented Italian artist Felice Tosalli (1883-1958) was among the many artists 
who turned their interest to animal themes during the late 19th and early 20th century.
He was born in Valsesia, an Alpine valley that was also the birthplace of my paternal grandfather
and learned to master his father's woodworking craft as an apprentice in his workshop.
After completing his studies in Turin, in 1903 Tosalli moved to Paris and found employment
 in a wood restoration shop. In Paris he often visited the Ménagerie du Jardin des Plantes 
to observe and sketch the captive animals. His precise and careful study of animal bodies and gestures
is obviously the source of the elegant drawings and preparatory sketches on show at the gallery,
and of the wonderfully lifelike poses of his sculptures.

In 1907 Tosalli went back to Turin, where he worked as a movie poster artist 
and as a lithographer and illustrator at Fratelli DoyenHe also began to participate 
in art exhibitions and receive commissions, mostly in the field of wooden sculpture. 

In the late 1920's Tosalli began to produce a series of limited edition animal figurines
in ceramic for the famous Italian company Lenci, and later for Rosenthal and C. 
These small works are still much appreciated by collectors for their refinement, 
attention to detail, and ability to capture the spontaneous beauty of animal life.


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