Mad Men & Crazy Critters - Shoe Fetish

Leonetto Cappiello, 1906

Just to prove the point, as I was uploading this post 

Maya began chewing yet another of Seba's shoes

Plinio Codognato, 1925

Posters by unknown artist and Filippo Romoli, 1928, 

from the Wolfsonian Collections

Tadeusz Gronowski, 1929

Rafael de Penagos, thanks to 50 Watts

Lubatti, 1939

Two ads by Eidenbenz Atelier

Donald Brun, 1946

Japanese ad, 1954, thanks again to 50 Watts

Louis Wattiez, 1955

Franco Matticchio

Cita va in città

Like Cats & Dogs

And I could go on and on and on...

It's been a very entertaining couple of months around our home,

as Seba and I follow with endlessly fascination the fast evolving relationship

between Chapi and the new puppy. I am so happy that they like each other!

Marjorie Flack, Angus and the Cat, 1932

Kathleen Hale, 1949

 Barbara Cooney, Lucy and Loki, 1958

Janusz Grabianski

Leonard Weisgard, Who Ever Heard of Kangaroo Eggs, 1957, 

thanks to my vintage book collection (in blog form)

Ezra Jack Keats, 1971

Józef Wilkon

Véronique Mazière

 Harriet Russell

Robert Quackenbush, Horatio, 1868, thanks to art.crazed

Benjamin Rabier, Rabougri, 1929, thanks to Agence eureka

John Burningham, Cannonball Simp, 1966

Clement Hurd, The Merry Chase, 1941

Cecile Boyer, Ouf, miao, cui-cui

Jutta Bauer

W.T. Cummings, Wickford of Beacon Hill, 1962, thanks to Arthur van Kruining

Happy Clays

I am usually pretty picky when it comes to ceramic animal figurines, but if I had the means

I would love to collect the entire production of Swedish ceramic artist Lisa Larson.

All these creatures would make very happy companions to my (or any) home...

Lisa Larson was born in 1931 in Härlunda in southern Sweden. In the early 1950s 

she studied at the College of Crafts and Design in Gothenburg, and in 1953 was hired 

by the established porcelain manufacture Gustavsberg. There, she had the great opportunity

 to work under the famous Swedish ceramic artist Stig Lindberg, who discovered and nourished

 her unique talent. During her 27 years at Gustavsberg Larson created hundreds of different designs.

The very first collection of Lisa’s figures to be put into production in 1955 was Lilla Zoo. 

While Larson designed various ceramic wares, she became famous thanks to her wonderful

 animal figurines. Her creatures, both domestic and exotic, were immensely popular with the public, 

and during the 1960s and 70s she was an important PR personality for Gustavsberg.

Zebra from Stora Zoo, 1958

A cow, a donkey and a bulldog expanded the Stora Zoo collection in 1960

Tiger from the 1959 Afrika Series

Rhino from the 1966 Maanageri series

Camel from the 1971 Jura series

Shin-tzu from the 1972 Kennel series

Lisa's animal portaits are always very stylized and while most are playfully caricatured with exaggerated features,

some of her creatures, like the ones in the Skansen series, display a moving vulnerability.

 The purpose of the 1978 Skansen series was to celebrate the northern animals 

and raise awareness of the need to protect them. 

This European Bison is one of a series of animals threatened by extinction produced in 1978

 by Gustavsberg for the World Wildlife Fund and the Swedish department store Nordiska Kompaniet.

Penguins from the 1979 Noah's Ark series

In 1981 Larson left Gustavsberg to work freelance as a sculptural artist and designer 

for various Swedish companies and the German porcelain manufacturer Rosenthal.

Moses by Gustavsberg Ceramic Studio 

In 1992 she founded the Gustavsberg Ceramic Studio with her colleagues Franco Nicolosi and Siv Solin. 

Their ceramics are produced on a small scale by a team of master craftsmen and women   

who carry on the traditional crafts of mold making, glazing and hand painting. 

Lisa Larson is still actively working on creating and producing new ceramic designs, 

while her body of work is being discovered and rediscovered by many outside 

her native country, and sought after by antique dealers and collectors.