Sunday Safari - House of Birds

 Joseph Cornell, Untitled (The Hotel Eden), 1945

Pascal Blanchet, thanks to The Casual Optimist

 Dolan Geiman

 Pablo Amargo

 Frank Chimero, Arkansas

 Geninne, Home is where the heart is

 Allegra Agliardi

 Mariachininha, Decorating the house

 Lisa Congdon

Irene Shoch, illustration for Mireille Mésange

 Robert Strobridge, illustration from The Sparrow finds a Home, 1967,

thanks to Stopping Off Place

Amy Ruppel, Vacation Home print at poster cabaret

Valerio Doval, Haunted Houses

Ant Adventures

This sweet and funny short about the travels and encounters of a little lost ant 

was created by the master of Russian animation Eduard Nazarov in 1983.

Monday Matticchio - Pesce spiegazzato

Sunday Safari - Black & White Sea

 Christian Roux

Julius Klinger

 Woodcut by Bold for Stuff and Nonsense by Walter de la Mare, 1927, thanks to 50 Watts

Si Scott

Minako Kawauchi, Sea Bream

Daniel Egneus

 Yodagawa Technique

Helle Jorgensen, Cephalopod

 Farshid Mesghali, illustration from Little Black Fish, 1968

Andrea Marescalchi

Matti Piippo

Sergio Ruffolo

Christian Montenegro, illustration from The Creation

Yong Ho Ji

Waone

Eleanor Grosch

Russian Riddles

I photographed this lovely folk style book in the Russian booth at the Bologna Book Fair 

last April, but didn't feel like posting it because I didn't have any info about it.

Finally, thanks to a cyrillic decoder and Google Translator, the mystery is solved!

Titled White hare, where have you run? (thanks to quete and reset for the correct

 translation) and illustrated by Karinna Germanovna Pretro, it's a compilation

of traditional songs, nursery rhymes, riddles, tongue twisters and lullabies.

(Now, if only I could find a bit of information about the illustrator...) 

Update: this info is now available in the comments to this post.

Many thanks to Maria, quete and Irina for the data and links!

Pino's Playthings

Pino Pascali was an important Italian artist and sculptor (I'll explore this side of his work 

in a future post) who also worked extensively in advertising. He was born in Bari in 1936

 and moved to Rome in 1955 to study at the Academy of Art. In 1958 he started a long 

and fruitful collaboration with the animator and producer Sandro Lodolo,

 which ended abruptly when Pascali died in an accident at the age of 32. 

These were the years when Carosello, the first advertising format introduced by Italian state television RAI

in 1957, was its most popular show. Some special rules contributed to make this daily evening show

 a family favorite especially loved by children. Firstly, in each advertising spot the sales pitch was confined 

to 30 seconds at the end a humorous sketch which lasted almost two minutes, and the product name

 could only be mentioned in this final segment. Moreover, each spot would go on air only once, forcing 

the creative teams working for the various companies to constantly create and produce new stories, 

most of which were conceived as episodes in a series. Lodolo and Pascali worked together 

on numerous animations for Carosello, including the one above for ice cream manufacturer Algida. 

It's one of the episodes written and designed by Pascali and centered on Salvador the Matador 

and his fights in the arena against a variety of crazy bulls such as Arista il Trasformista

 (unfortunately I haven't found any other videos of the innovative spots created by Pascali). 

Pascali was an exuberant and sensitive man who approached life and work with spontaneity and freedom, 

simplicity and endless imagination. He loved the creative process, and considered his work a form of play.

With the same childlike spirit he continuously experimented with new ideas and materials in his art 

and played games and tricks on people with his artist friends. Pascali was also a reckless driver, 

and his passion for speed came to a tragic ending when he crashed his motorcycle in a roman street.

Scottish terrier, 1963

Pascali was very fond of animals, and often featured them in his advertising works and sculptures. 

All the drawings and sketches in this post were created in the early sixties for various advertising and

 animation projects, and they were made available online thanks to the Pino Pascali Archive 

established by the Contemporary Art Gallery Frittelli in Firenze.