Thursday, June 14, 2012

Manga



La manga, this profusion of images, this avalanche of drawings, this orgy of pencil lines, 
these fifteen notebooks where sketches are crowded like silkworm eggs on a sheet of paper, 
a work that is without equal among painters of the Occident! 
La manga, these thousands of feverous reproductions of what is on the ground, in the sky, under the water, 
these magic instantaneous reproductions of movement, of the stirring life of humanity
 and bestiality, in short, this sort of delirium on paper from this great crazy man of over there!
Edmond de Goncourt, Hokusai, l'Art japonais au XVIIIe siècle, Paris, 1895




Katsushika Hokusai (1760-1849), one of the greatest Japanese artists, was 
a master draftsman, painter and printer. While some of his works are still very popular
 (everyone's familiar with at least his great wave from the Thirty-six Views of Mount Fuji series), 
not many are aware of the immense quantity and variety of his creative output
During 70 years of prolific artistic career, Hokusai produced thousands of paintings, drawings, 
woodblock prints, illustrated books and manuals. Among them is Manga, an encyclopedic collection
 of sketches of various subjects including landscapes, flora and fauna, animals, everyday life and the supernatural.
 Around 4000 drawings were block-printed in three colors (black, gray and pale flesh) on more
 than 800 pages for a total of 15 volumes, the first of which was published in 1814 to immediate acclaim. 




While the term Manga today is generally used to refer to Japanese comics and cartoons, here it roughly means "sketch". 
Apparently it was Hokusai's pupils who asked him to put together this collection to serve as a drawing manual,
 but he went beyond the didactic format to freely explore some of his favorite themes and subjects.
 One of them was the natural world, which he portrayed with freshness, elegance of lines and realistic precision.


The following group of prints features animals in fantastic scenes inspired by myths,legends and allegories.







This last image illustrates the parable of the blind men and the elephant.


Sunday, June 10, 2012

Happy Hippos




Nikita Charushin, My first zoology book, 1984, thanks to Book Graphics

Rainey Bennet, The secret hiding place, 1960, thanks to Matt Hinrichs

Roger Duvoisin, Veronica, 1961, thanks to Capa Dura em Cingapura


  Ethel and Leonard Kessler, Are You Square?1966, thanks to hunkamunka

Abner Graboff, 1961, thanks to Eric Sturdevant



Andrew Mockett, thanks to the art room plant


Katherine Evans, Junior True Book of African Animals, 1958, thanks to joy of a toy



Elisabeth Brozowska, Isidore L'Hippopotame, 1969, thanks to Illustration s'il vous plaît


Clement Hurd, Monkey in the Jungle, 1968, thanks to art.crazed




Jun Takabatake, Quien soy,thanks to Col.lecionàrum




Saturday, June 9, 2012

Bits & Pieces



Finally, I am getting to share one of the books I discovered at the Bologna Book Fair.
It was created by Chiara Armellini, a talented young Italian artist living in Vicenza,
and published by our friends at TopipittoriPrinted on high quality heavy matte paper, 
this large size volume has a really nice feel to it. I love the clever illustrations 
made with rubber stamps, and the colors on the facing pages are just gorgeous.



 The concept of Ti faccio a pezzetti is simple and consists of a series of riddles. 
After each spread featuring an abstract composition of various shapes and a short text 
offering clues, another follows with the answer and a picture of the animal built out 
of those shapes. If you read italian, you can find the story behind the book here.






 





 Definitely another book for young children that adults can feast their eyes upon!



Wednesday, June 6, 2012

Tender Mysteries



Today's selection of New Yorker covers was created by André François 
over a period of almost thirty years.




François was born in 1915 in a part of the Austro-Hungarian Empire
that soon later became Romania. In 1934 he moved to Paris,
where he joined the atelier of the great Art Deco poster artist Cassandre.





A man of many talents, François worked as a cartoonist, graphic designer, 
illustrator, set and costume designer, painter, engraver and sculptor.
His work was featured on many Penguin Books covers and in numerous leading
 international magazines, including Le Nouvel Observateur, Fortune, Vogue, 
The Observer, Holiday, Look and Punch.






Follow this link to view more work by André François on Animalarium.



You can buy online all of these covers as prints at the New Yorker Store.

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