Wednesday, May 15, 2013

Tatiana Mavrina



My ongoing survey of great Russian illustrators continues with the bold and colorful works of Tatiana Mavrina, 
prolific artist who painted, worked in theatre and animation, and illustrated over 200 books. 
Mavrina was born in Nizhny Novgorod in 1902, and studied at the Higher State Art and Craft Institute 
Vkhutemas from 1921 to 1929. She became a member of the Thirteen movement, but began to develop
 a vivid, free and highly decorative personal style which combined influences from Lubok
 and other traditional forms of Russian folk art with the French painting tradition. 

Forty White-sided, 1957

My grandmother goat, 1962

Many of Mavrina's children's books illustrate Russian folk tales and Aleksandr Pushkin's
 fairy tales such as The Tale of the Dead Princess and the Seven Heroes (1949) 
Ruslan and Ludmila (1960), There Stands (1961) and The Tale of the Golden Cockerel



Fabulous Beasts, 1965




Mavrina collected old icons and folk art. She didn't address her illustrations specifically  to children,
 and her books were often published as gift editions. In her original picture books, such as Fabulous Beasts (1965)
 and Fairy-Tale ABC (1969), the text plays a secondary role to the humorous and brightly colored pictures.  


  Gingerbread baked into the clutches of a cat is not given, 1967
(dear Russian readers, please help me with a better translation)



Fairytale Alphabet, 1969



Lukomorie, 1970

Birds at Sea, 1976

In 1976 Mavrina became the only Soviet artist to be awarded the Andersen Prize 
for her contribution to the illustration of children’s books.



SInce Mavrina died in 1996, the public's interest in her work has been steadily increasing.
 One can find her works in major Russian museums including the Tretyakov Gallery, the State Russian Museum,
and the State Museum of Fine Arts. And if you are in Moscow, you can visit her exhibition  
at Petrosvky Passage which runs until June 3rd.





Sunday, May 12, 2013

Mamma Mia!

Victor Pivovarov, 1971



Anthony Browne

Helen Borton, Do you go where I go?, 1972

Brian Wildsmith, Wild Animals

Helene Carter, Sharp Ears, 1938


Rare Animals, via HannaRivka

Józef Wilkon

Knud Kyhn

Andy Warhol






Thursday, May 9, 2013

Franco Matticchio



Good news for all the fans of Franco Matticchio: his new Facebook page will allow you
to enjoy many more of his works and keep up with his latest news! 
If you use Facebook, I also invite you to like the Animalarium page, which offers a rich variety
 of images and links, updated daily. For me it's a great way to easily share interesting art, books
 and news which due to time constraints would be impossible to feature in this blog.
Hope to see you there!

Tuesday, May 7, 2013

Seasons of the Bear


Noriko SenshuMidsummer bear




Annegert FuchshuberZwei und mehr


G. NicholasYear in the woods, 1984, thanks to polny_shkaf

Rob DunlaveyBonne Nuit Petit Ours


Janusz Grabianski, 1961, thanks to Manon Gauthier

 Rumen Skorchev, Bulgarian Folk Tales1979, thanks to Book Graphics



Anna Emilia LaitinenWinter Is Ending








 Arnold Lobel, Red Fox and his Canoe, 1964, and Brian Wildsmith, The Lazy Bear, 1974,




Thursday, May 2, 2013

Strong as a Bear



This year, as you may know, I was unable to attend the Bologna Children's Book Fair.
But thanks to the generosity of friends and publishers, and a trip to the very well stocked
Florentine children's book store Cuccumeo, I do have some wonderful new books
to share with you over the next weeks. First of all, once again I am very grateful 
to Topipittori for introducing into our country some of my favorite European illustrators
(besides working with some excellent Italian ones). This new beautiful new volume is a reprint
of Stark wie ein Bär, the 2012 award winning book by the German illustrator Katrin Stangl.




I first took notice of Stangl in 2009 when another invaluable Italian publisher, 
Corrainipublished The Musicians of Brehem. I saw her work again at the 2011 Illustrators Exhibition
 in Bologna, and her striking, bold style and two-color linocut technique again made an impression.




Forte comme un orso is an explosion of colorful vitalityThe simple text enunciates 
a list of animal qualities that children will easily identify with, and the full page
 illustrations will easily delight adults too. The book's vibrant chromatic quality
was achieved thanks to a printing process using four different pantone colors. 




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